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Eva and Franco Mattes : ウィキペディア英語版 | Eva and Franco Mattes
Eva and Franco Mattes (both born in Italy in 1976) are a duo of artists based in New York. Neither of them received an art education, and since meeting in Madrid in 1994, they have never separated. Operating under the pseudonym 0100101110101101.org, they are counted among the second wave of the Internet artists, after Net.art, and are renowned for their subversion of public media. They are based in Brooklyn, New York, but also travel frequently throughout Europe and the United States.〔Artists' website (0100101110101101.org )〕 ==Activity== In 2012, they received a visit from Hans Bernhard of Ubermorgen. From 1995–97, the Mattes toured the world’s most important museums and stole dozens of fragments from well-known works by artists such as Duchamp, Kandinsky, Beuys, and Rauschenberg. This work, titled "Stolen Pieces," exhibited the stolen fragments in glass cabinets: a porcelain piece of Duchamp's urinal, skin from an Alberto Burri painting, etc. They have manipulated video games, internet technologies and street advertising to reveal truths concealed by contemporary society. Their media facades were believable enough to elicit embarrassing reactions from governments, the public, and the art world. In addition, they have orchestrated several unpredictable mass performances, staged outside art spaces, and involved unwitting audiences in scenarios that mingle truth and falsehood to the point of being indistinguishable. Their off-the-wall performances—for which they have been sued multiple times—include affixing fake architectural heritage plaques (''An Ordinary Building'', 2006), rolling out a media campaign for a non-existent action movie (''United We Stand'', 2005) and even convincing the people of Vienna that Nike had purchased the city’s historic Karlsplatz and was about to rename it “Nikeplatz” (''Nike Ground'', 2003).〔Video documentation of (''Nike Ground'' )〕 Their art has been featured at the Venice Biennale (2001), the Walker Art Center, Minneapolis (2001), Manifesta, Frankfurt (2002) and in other venues worldwide, including the New Museum, New York (2005), Collection Lambert, Avignon (2006) and Performa, New York (2007 and 2009).〔(Carroll / Fletcher Gallery, London )〕
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